Shakespe atomic number 18,  deoxyguanosine monophosphateght of by   publicy another(prenominal) to be the best  English  designer of  totally time, constructed entangled plotlines of hu while conscience, emotion, and the folly of  ignore warnings that  fuel be exemplified in  whiz of his most  well-kn accept  whole shebang, Macbeth.  The root of such(prenominal) moving narration can be traced  rachis infallibly to Sophocles Oedipus trilogy, in particular Oedipus Rex, otherwise known as Oedipus the King.  Both Macbeth and Oedipus, the protagonists of the afore verbalise(prenominal) classic literature respectively, undergo many conflicting decisions that  build their personalities and allow a reader to  touch base their own lives to the plotline.  Conflict, such as man versus nature, man versus man, and man versus self,  be used in these plays to depict the ignorance and to further the  pointtual(prenominal) fall of the  important characters.  The most apparent conflict in  twain of th   e works is that between man and nature.  The conflict, in this case, includes the  colossal range of the  marvellous: gods, witches, fate, and prophecies.  As Macbeth discovers that he has been misled by the prophecies all throughout his reign, he  mum claims that he  leave  defend to the end: though Birnam Wood be come to Dunsinane, and thou opposed, being of no woman born, yet I will try the last. (Shakespeare 214).  His  buckram exclamation shows his determined ignorance  notwithstanding as he sees the truth, which quickens his downfall considerably.  Oedipus, on the other hand, sees his fate  overture and tries to escape it as when he said I went to the  enshrine at Delphi...I hear all this, and fled. (Sophocles 42).  The Oracle had told Oedipus his fate and Oedipus fled,  view that he could  stupefy the gods, which unwittingly led him to his downfall prematurely.  In the end, both Macbeth and Oedipus  cognize that they could not escape their fates, despite attempts...                                                         !                                        Great es produce! I think there was detailed explanation, analysis and well  back up ideas mentioned in each  dissever! There were no grammatic errors and it was quite clear!

 I have  twain questions though:  1. You mention that we see Macbeths ignorance to be present even if he sees the truth... Now if he sees the truth then he is  fit enough to comprehend what it is. Then Why would he still be ignorant though? Or is it because breathing in is  make him an ignorant man even though not  rightfully ignorant! Or are you trying to say that even if he sees the truth , he is not  satisfa   ctory to  sympathise it! Im not so sure about this one since we  sight that Macbeth is quite civilized and he would be  qualified of comprehending such a thing!  2. From my experience, after quoting someone, you are  say to  go a little on that quote. Especially if the quotes are  very ambiguous and difficult to decipher.  and as i said on my other comment maybe another paragraph  superpower have been beneficial!                                       YOur last paragraph which is  similarly the conclusion, i would add another conflict to your list which is man vs. the  participation!!  Since  the audience is significant it represents society and the  disparate dialogues  support different messages to it! If you want to get a full essay,  tack it on our website: 
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