Film Analysis - The Last Metro

Francois Truffauts clear film The Last tube-shaped structure depicts the frustration, confusion, and compromise in German occupied WWII France through the lens of the eye of theatre. A strong inherent theme of the movie is ambiguity. For instance, the portion Bernard husbandman is a young, beautiful actor who supports the rampart but his actions argon very unclear. The portraiture of Bernard Granger parallels Frances romanticized images of resisting the German occupation when in humankind who collaborated and how m whatever were part of the opponent is vague at best.\nBernard Granger is or soly concerned with apply his dashing looks and charm to shamelessly flirt with women, but allay finds time to get wind with his associate in the foeman. From what we are shown of Bernard he is against the occupation but his actions are, for the most part, passive. Bernards involvement and ideals are largely unexplored drop for the implication that he off the theaters disgrace pl ayer into a bomb. However, we never retard the explosion or become involved in his fight. The viewer is never shown whatever action, hear any discussions regarding the motley governments or political environment, or come to understand any sense of the resistance as an entire movement. One just now comes to understand that Bernard is a highly-sexed rebel who you assume is an agile member of the resistance.\nOne delimit moment for Bernard is when his friend from the resistance is arrested. Bernard is apparently waiting to meet with a member of the resistance when his friend is swarmed with police right(a) in front of him and he does nothing but watch. perchance he realizes that he stop only do so much and he is remedy off continuing the fly the coop without his friend, but we never see him take any possible action to continue organizing and acting against the German occupation.\nWhat we do see, however, is Bernard Grangers proposed resignation from the theater in order to follow the resistance. Although he at first app...